pantoja, LLC

34 nob circle
newburgh, new york 12550

NYS Entity Status
ACTIVE

NYS Filing Date
AUGUST 14, 2013

NYS DOS ID#
4445402

County
ORANGE

Jurisdiction
NEW YORK

Registered Agent
NONE

NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY

Name History
2013 - PANTOJA, LLC









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  • Around the Web

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  • Trump’s Tough Talk on North Korea Puts Japan’s Leader in Delicate Spot
    By JONATHAN SOBLE - Friday Aug 11, 2017

    North Korea’s accelerating military advances — and President Trump’s volatile response — could complicate Japan’s close alliance with the United States.

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  • Weeks after Hurricane Maria, forgotten Puerto Ricans plea for help
    By Gabrielle Fonrouge - Thursday Oct 12, 2017

    It’s been more than three weeks since Hurricane Maria devastated Puerto Rico, but like so many islanders, Carmen Pantoja is still desperate for the basic necessities: food, water, medicine. Her tired blue eyes filled with tears as she told The Post she can’t find medication for her son, Hector, who suffers from epilepsy and hydrocephalus,...

    Source: New York Post: News
  • ‘The Mathematics of Love’ doesn’t add up
    By Lily Janiak - Tuesday Aug 15, 2017

    Peaches (Rose Portillo) can’t remember where she is, why she’s there, that her kids have long grown up or that Daughter (Sarita Ocón) lost a partner two months ago.Celebrating her 50th wedding anniversary with Poppa (George Killingsworth) in the Los Angeles Biltmore Hotel, she compulsively scrubs toilets and folds towels, thinking she’s still the hired help she was in her youth at a Tijuana casino.Time-traveling to the 18th century, when she checks into that era’s version of the Biltmore, Mission Spa and Towers, she has her own slave, Girl (Portillo once again), who jockeys for space on a sleeping mat with Nana (Carla Pantoja), a stinky-footed hotel staffer and the only character to remain roughly the same, no matter the epoch of the moment.In childhood, Peaches wasn’t exactly sold by her mother to the predatory casino owner, the town’s “bossman, la tortilla and el frijol para la familia.”Each time characters suggest they care about something — that God might arrive soon, that Nana might tell Girl a secret, that Poppa, recoiling from Peaches’ barbs, has lost his appetite — its importance magically dissolves within a line or two.Pantoja’s Nana can tell someone off just in the way she silently plunks a straw in a glass, and Ocón, in a mostly thankless role, makes hurt into a whole range of experience.The Biltmore’s ceiling beams reflect magentas, bronzes and marigolds against a turquoise backdrop, endowing the world of the play with the faraway, slightly sad and kitschy feel of a well-appointed fish tank.If at first it’s disarming and refreshing to be at a show that lets its characters take their time padding in and out, before long you might get the urge to go Frederick W. Taylor on the play and shave away minutes and minutes of unnecessary silence.

    Source: SFGATE.com: Entertainment News