The number of people who commute two hours or more to work is expected to grow, especially now that it is easier to work occasionally from home.
NYS Entity Status
NYS Filing Date
AUGUST 14, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2013 - PANTOJA, LLC
Around the Web
- Extreme Commuting
By BRYAN MILLER - Friday Jul 21, 2017
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
- The Top 10 Moments of New York Fashion Week
By THE NEW YORK TIMES - Friday Sep 15, 2017
Highlights from the shows, including a celebrity-packed front row at Calvin Klein and a trek to Bedford Hills, N.Y., to see Ralph Lauren’s vintage cars.
- Trump’s Tough Talk on North Korea Puts Japan’s Leader in Delicate Spot
By JONATHAN SOBLE - Friday Aug 11, 2017
North Korea’s accelerating military advances — and President Trump’s volatile response — could complicate Japan’s close alliance with the United States.
- Weeks after Hurricane Maria, forgotten Puerto Ricans plea for help
By Gabrielle Fonrouge - Thursday Oct 12, 2017
It’s been more than three weeks since Hurricane Maria devastated Puerto Rico, but like so many islanders, Carmen Pantoja is still desperate for the basic necessities: food, water, medicine. Her tired blue eyes filled with tears as she told The Post she can’t find medication for her son, Hector, who suffers from epilepsy and hydrocephalus,...
- ‘The Mathematics of Love’ doesn’t add up
By Lily Janiak - Tuesday Aug 15, 2017
Peaches (Rose Portillo) can’t remember where she is, why she’s there, that her kids have long grown up or that Daughter (Sarita Ocón) lost a partner two months ago.Celebrating her 50th wedding anniversary with Poppa (George Killingsworth) in the Los Angeles Biltmore Hotel, she compulsively scrubs toilets and folds towels, thinking she’s still the hired help she was in her youth at a Tijuana casino.Time-traveling to the 18th century, when she checks into that era’s version of the Biltmore, Mission Spa and Towers, she has her own slave, Girl (Portillo once again), who jockeys for space on a sleeping mat with Nana (Carla Pantoja), a stinky-footed hotel staffer and the only character to remain roughly the same, no matter the epoch of the moment.In childhood, Peaches wasn’t exactly sold by her mother to the predatory casino owner, the town’s “bossman, la tortilla and el frijol para la familia.”Each time characters suggest they care about something — that God might arrive soon, that Nana might tell Girl a secret, that Poppa, recoiling from Peaches’ barbs, has lost his appetite — its importance magically dissolves within a line or two.Pantoja’s Nana can tell someone off just in the way she silently plunks a straw in a glass, and Ocón, in a mostly thankless role, makes hurt into a whole range of experience.The Biltmore’s ceiling beams reflect magentas, bronzes and marigolds against a turquoise backdrop, endowing the world of the play with the faraway, slightly sad and kitschy feel of a well-appointed fish tank.If at first it’s disarming and refreshing to be at a show that lets its characters take their time padding in and out, before long you might get the urge to go Frederick W. Taylor on the play and shave away minutes and minutes of unnecessary silence.