New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
NYS Entity Status
NYS Filing Date
AUGUST 20, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2013 - OPEN SKY HEALING ARTS CENTER, LLC
AROUND THE WEB
- Women of Sex Tech, Unite
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- Celebrating Roma: New Cultural and Arts Center Opens in Germany
By Nancy Young - Friday Jul 7, 2017
After hundreds of years living in Europe with no country to call their own, the Romani people will open the European Roma Institute for Arts in Berlin.
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By TAMMY La GORCE - Friday Sep 8, 2017
The longtime East Village resident wakes early, avoids the brunch crowd, and looks for inspiration in books, trees, art shows and dance performances.
- The Commons brings food, music, fun to S.F. Civic Center
By Peter Hartlaub - Wednesday Sep 20, 2017
The city of San Francisco is throwing another block party in the Civic Center on Thursday, Sept. 21, bringing everything from food and music to giant Scrabble and roller skating into the open spaces near City Hall. The event known as the Commons is an effort to utilize open space around the Civic Center. The free community-friendly events have been hosted there on the third Thursday evening of every month since July, with one more block party on the books for Oct. 19. Events in UN Plaza, Civic Center Plaza and Fulton Street (between the Asian Art Museum and public library) include bocce ball, art installations and wild cards including Skee-Ball and skating.
- Saturday Night In ... Bedford-Stuyvesant: At the Center of Change, Cherry’s Unisex
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Saturday night in Bedford-Stuyvesant, Brooklyn, where the salon is an almost always-open witness to a neighborhood in the throes of change.
- Portrait painting in action at Stanford
By Sam Whiting - Wednesday May 24, 2017
At 11:30 Monday morning, writer Tammy Fortin set up her manual Olivetti in the grand marble atrium at Cantor Arts Center and began tapping out a short story. [...] artist Hope Gangloff set up her acrylic paints and began painting a portrait of Fortin as she typed. The main entrance to the Stanford University museum, built in 1894, has been converted into Gangloff’s studio as the first in a five-year series called the Diekman Contemporary Commissions Program, underwritten by arts benefactors John and Sue Diekman. There is a lot to tell because Gangloff, 42, lives in Brooklyn, N.Y., and drove out in her Subaru with her boxer mutt Olly, and all her paints and brushes and buckets. “She’s a fun challenge,” says Gangloff, as Fortin clacks away in single space, working that carriage return, her salt-and-pepper hair blending nicely with the marble wall behind her. The typewriter sits on a pullout tray at a midcentury metal office desk. Scattered around are a metal lunch box in red tartan, a bottle of Wite-Out, a magnifying glass and any number of dictionaries and art history books open for quick reference, plus a Princess dial phone with the receiver off the hook and dangling to the floor so she won’t be distracted by a caller. There is a lot of detail to capture, and those who can’t wait around to see the finished product can go upstairs where the concurrent show “Hope Gangloff Curates Portraiture” is on the balcony. There is a whole wall of portraits, and visitors can turn around and lean over the railing to see the next one being worked on at the bottom of the stairs. “Hope is an incredibly talented painter who evokes the 19th and 20th century masters and updates the tradition, ” says Carty.