New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
NYS Entity Status
NYS Filing Date
JULY 17, 2014
NYS DOS ID#
209 E. 81ST ST. #5D
NEW YORK, NEW YORK, 10028
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2014 - MEANS OF PRODUCTIONS FILMS, LLC
AROUND THE WEB
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
- Woody Allen’s ‘Wonder Wheel’ set to close NY Film Festival
By Deadline - Tuesday Jul 25, 2017
The film will go into limited release December 1.
- The Top 10 Moments of New York Fashion Week
By THE NEW YORK TIMES - Friday Sep 15, 2017
Highlights from the shows, including a celebrity-packed front row at Calvin Klein and a trek to Bedford Hills, N.Y., to see Ralph Lauren’s vintage cars.
- Coffee recalled for containing Viagra-like ingredient
By Fox News - Thursday Jul 20, 2017
A company based in Texas has recalled a coffee product after a substance found in a drug used to treat erectile dysfunction was found in the product, the Food and Drug Administration (FDA) confirmed. Bestherbs Coffee LLC has recalled all of its “New of Kopi Jantan Tradisional Herbs Coffee” after the FDA said it found...
- Fit City: Taking Night-Life Cue, Gyms Lower the Lights
By TATIANA BONCOMPAGNI - Tuesday Jun 13, 2017
Cycling, boxing and running studios, as well as some full-service gyms, are using sophisticated lighting systems to heighten the exercise experience.
- Woody Allen’s ‘Wonder Wheel’ Will Be Amazon’s First Solo Distribution Film
By Jeremy Fuster, provided by
- Thursday Jul 27, 2017
Amazon Studios announced on Thursday that Woody Allen’s “Wonder Wheel” will premiere on the closing night of the New York Film Festival and will be released in theaters on Dec. 1 as the first film the studio will distribute on its own.Taking place at Coney Island in the 1950s, “Wonder Wheel” tells the story of a struggling carousel operator on the famous New York boardwalk (Jim Belushi) and his wife (Kate Winslet).I mean that literally and figuratively, because Allen and [cinematographer] Vittorio Storaro use light and color in a way that is stunning in and of itself but also integral to the mounting emotional power of the film.