live tech support inc

117-68 127 street
s ozone park, new york 11420

NYS Entity Status
ACTIVE

NYS Filing Date
JULY 11, 2013

NYS DOS ID#
4429873

County
QUEENS

Jurisdiction
NEW YORK

Registered Agent
NONE

NYS Entity Type
DOMESTIC BUSINESS CORPORATION

Name History
2013 - LIVE TECH SUPPORT INC









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  • Around the Web

  • Restaurant Review: At Don Peppe, Expect a Lot of Everything
    By PETE WELLS - Tuesday Jun 20, 2017

    The hallowed Italian-American restaurant is near the airport and the racetrack in Queens, but it’s in a world of its own.

    Source: NYT > Home Page
  • For 18 Hours, Cabbie Sat Dead in Front Seat
    By KIM BARKER - Monday Aug 14, 2017

    A driver parked his taxi to take a break in SoHo. He died behind the wheel. Then, for nearly a day, New Yorkers went about their lives — just feet from his body.

    Source: NYT > Home Page
  • The South Park Commons Fills a Hole in the Tech Landscape
    By CADE METZ - Sunday Jul 2, 2017

    The Bay Area tech scene has start-up incubators and hacker spaces. But what do you do when you want to figure out your next move?

    Source: NYT > Home Page
  • MTV Mines the Past for Its Future: ‘Total Request Live’
    By JOHN KOBLIN - Sunday Jul 30, 2017

    Remember the “TRL” studio and crowds in Times Square? Music? Carson Daly? MTV hopes you do, and will tune in again.

    Source: NYT > Home Page
  • Stonewall Inn Project to Preserve Stories Behind a Gay Rights Monument
    By SARAH MASLIN NIR - Saturday Jun 17, 2017

    A $1 million grant will go toward conserving the oral histories of those who lived through the 1969 riots.

    Source: NYT > Home Page
  • Jeanne Moreau, one of France’s greatest film stars, dies at 89
    By Mick LaSalle - Monday Jul 31, 2017

    Jeanne Moreau, one of France’s greatest film stars, dies at 89Jeanne Moreau, one of France’s most accomplished actresses, whose resume practically tells the story of world cinema in the third quarter of the twentieth century, died Monday, July 31, at her home in Paris.[...] her whole work was precisely about never freezing her art into a mythology, and never locking herself into the respectable status of the ‘great actress.’France’s answer to Bette Davis, Ms. Moreau on screen was assertive yet unsure, turbulent yet reflective, believable in roles that called for cruelty, yet in possession of one of the most charming, open-hearted smiles in movies.A close-up of Ms. Moreau promised audiences everything and nothing.In France, where an actor’s importance is judged, not by box office or awards, but by filmography -- that is, by the number of great directors he or she has worked with --Two other 1954 movies, “The Scheming Women” and “A Woman of Evil” (with Ms. Moreau as Queen Margot) are rarely seen in the United States, but their titles suggest that French filmmakers had already begun to figure out just who Jeanne Moreau was.Ms. Moreau could play conventional roles, of course, such as the devoted girlfriend in “Three Days to Live” (1957), a solid film noir.In 1974, she had a brief but memorable role in Bertrand Blier’s “Going Places,” as a woman, released from prison, who has a menage a trois with two louts, played by Patrick Dewaere and Gerard Depardieu.In 1976, for director Elia Kazan, she played a temperamental foreign diva in Harold Pinter’s adaptation of F. Scott Fitzgerald’s “The Last Tycoon.”[...] in 1983, she directed “Lillian Gish,” in which she conducted an hour-long interview with the silent film actress.In her later years, Ms. Moreau mostly played supporting roles in quality projects, such as in Agnes Varda’s “One Hundred and One Nights” (1995) and Francois Ozon’s “Time to Leave” (2005).

    Source: SFGATE.com: Entertainment News