Netflix is giving “The Meyerowitz Stories,” which premiered at Cannes earlier this year, a limited theatrical release in the top ten U.S. markets on October 13, the streaming company announced Wednesday.Landmark Theaters has exclusive screening for eight of the ten markets. Landmark will also screen the film at its Los Angeles location along with the North Hollywood Laemmle, while Lincoln Plaza Cinemas and the IFC Center will screen in New York.Written and directed by Noah Baumbach, “The Meyerowitz Stories” stars Adam Sandler, Ben Stiller, and Elizabeth Marvel as three siblings dealing with the shadow their father (Dustin Hoffman) holds over their lives.
NYS Entity Status
NYS Filing Date
JANUARY 30, 2014
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2014 - KONG ON 23 THEATRICAL PRODUCTIONS, LIMITED LIABILITY COMPANY
Around the Web
- Noah Baumbach’s ‘The Meyerowitz Stories’ to Get Theatrical Release in 10 Cities
By Jeremy Fuster, provided by
- Wednesday Oct 4, 2017
- Woody Allen’s ‘Wonder Wheel’ set to close NY Film Festival
By Deadline - Tuesday Jul 25, 2017
The film will go into limited release December 1.
- Theatrical production to showcase last year of King's life
By DEEPTI HAJELA, Associated Press - Thursday Sep 21, 2017
NEW YORK (AP) — You think you know Martin Luther King Jr.'s story? Tavis Smiley is willing to bet you don't.To mark the 50th anniversary of King's assassination next April, the radio and TV host is planning a nationwide tour of a theatrical production focusing on the last year of King's life, a time when he was reviled by some for expanding his critique of America beyond its racism to poverty issues and the Vietnam War."I don't want this anniversary to come and go without people finally coming to terms with wrestling with who Martin Luther King really was," Smiley told The Associated Press in an interview on Wednesday, the day before the official announcement of the production.
- Restaurant Review: The Grill Is Confident, Theatrical, Sharp and New Yorky
By PETE WELLS - Tuesday Aug 22, 2017
The former Grill Room of the Four Seasons now holds a restaurant with a full-battery charge.
- A car park space in Hong Kong just sold for the low low price of $664,260
By Yvette Tan - Thursday Jun 15, 2017
In a city where land is sparse, even parking lots go for a premium.
A parking space in Hong Kong has been sold for a record $664,260 (HK$ 5.18 million) — making it the most expensive parking space in the world, according to the South China Morning Post.
At just 188 square feet, or 17.5 square metres, that works out to a staggering $3,500 per square foot.
To put things in context, apartments in New York went for an average price of $1,750 per square foot, in mid-2016.Hong Kong, Parking Lot, Car Park, Property Prices, and World
- Why Hollywood Studios Are Slow to Embrace Virtual Reality
By Matt Donnelly and Matt Pressberg, provided by
- Sunday Jul 23, 2017
According to Tim Merel’s Digi-Capital, virtual reality generated $2.7 billion in 2016, mostly from the sale of hardware like Facebook’s Oculus Rift and the HTC Vive that rolled out to consumers for the first time last year.The same is true for augmented reality — a technology that superimposes a computer-generated image on a real-world vision but that is widely seen as less compatible for studios looking to exploit characters and storytelling.Starting sometime next year, the $400 Oculus Rift bundle will include Disney’s “Marvel Powers United VR” interactive game allowing players to suit up as their favorite Marvel superhero.Consumers who don’t want to shell out $400 for their own device can visit standalone VR centers — essentially arcades — that have opened in malls and movie theater lobbies in the last year, many operated by IMAX.According to IMAX’s Chief Legal Officer Rob Lister, the company splits the revenue with the content developer and the operator if it’s not an IMAX-owned center.Most content, especially based around theatrical releases, costs in the $2 million to $4 million range to produce, according to one high-ranking movie studio exec.Despite the limited revenues so far, Sauceda sees the advantages for studios exploiting their intellectual property in the VR space as big tech-oriented players like Google, Facebook, Microsoft and Samsung ramp up their own efforts.VR tech itself is not yet seamless, as TheWrap discovered when visiting the IMAX Centre in Los Angeles and had a computer crash midway through “Life of Us,” a seven-minute re-creation of Earth’s evolution from Within CEO Chris Milk’s Here Be Dragons VR production company.Exhibitors are understandably anxious about studios devoting resources to content that bypasses traditional movie theaters — as well as the prospect of an expensive upgrade of its theaters to accommodate new technology like VR headsets for each seat.What the field needs most at the moment is a large investment in distribution, one top studio executive told TheWrap, comparing VR rollout to the adoption of digital projectors over now-antique film projectors.Disney, for instance, spearheaded the effort and paid for a quarter of the first digital projectors to go into movie theaters.For the most part, studio efforts in VR have relied on showing off the technology rather than movie stars — who might raise the production costs but also draw a larger audience.In Cannes this year, Alejandro Inarritu premiered an experimental, highly emotional VR exhibit about the experience of a refugee crossing a border — but it played more like an art gallery installation piece than a mass-market movie.Homecoming VR experience for home units like Sony’s own PlayStation VR and mobile gear like Samsung VR within weeks of the film’s theatrical release.Viewers sat in vibrating, oscillating Positron chairs that matched an impressive zero-gravity airplane sequence — an experience that’s unlikely to be mass-produced anytime soon in theaters (or living rooms) nationwide.