New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
NYS Entity Status
NYS Filing Date
MAY 20, 2013
NYS DOS ID#
UNITED STATES CORPORATION AGENTS INC
7014 13TH AVENUE SUITE 202
BROOKLYN, NEW YORK, 11228
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2013 - HIGH POWER CONSTRUCTION DESIGN LLC
AROUND THE WEB
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
- Construction cranes loom as dangerous hazard as Irma approaches Florida
By Associated Press - Saturday Sep 9, 2017
MIAMI — As Hurricane Irma threatens to pound Miami with winds of mind-boggling power, a heavyweight hazard looms over the city’s skyline: two dozen enormous construction cranes. And because those cranes weren’t designed to withstand a storm of Irma’s ferocity, city officials are telling people who live in the shadows of the giant lifting devices...
- New Development: Soft in the Middle, Splashy Up Top
By STEFANOS CHEN - Friday Sep 15, 2017
The luxury market in New York is pulling in two directions, with developers betting on big-ticket palatial aeries and million-dollar “starter” homes.
- Neighborhood Joint: Staubitz Market in Brooklyn: 100 Years of Sawdust, Steaks and Chops
By ANDREW COTTO - Wednesday Jun 14, 2017
A display contains frozen items, and the shelves are stocked with jars and cans. But there’s just one reason to visit this Boerum Hill business: meat.
- Actor James Cromwell to report to jail for plant protest
Wednesday Jul 12, 2017
WAWAYANDA, N.Y. (AP) — Oscar-nominated actor James Cromwell is heading to jail in New York for blocking traffic to protest a power plant.A town judge sentenced the 77-year-old Cromwell and two fellow protesters to a week in the Orange County Jail for civil disobedience at the construction site of a 650-megawatt natural gas-fired power plant in December 2015.
- Critic's Notebook: Fringe Festival? Not This Summer. Fringe Spirit? Definitely.
By LAURA COLLINS-HUGHES - Tuesday Sep 5, 2017
A plantation-set adaptation of “The Cherry Orchard” and a scatological monologue are visceral reminders of theater’s power to unsettle.