Known as the Dickinson Mansion, the grand Greek Revival-style home with 12 columns has been carefully and completely restored and renovated by its current owners.
NYS Entity Status
NYS Filing Date
NOVEMBER 08, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2013 - GRAND AND ESSEX LLC
AROUND THE WEB
- Listing of the Day: Essex
Friday Jun 23, 2017
- Fit City: Taking Night-Life Cue, Gyms Lower the Lights
By TATIANA BONCOMPAGNI - Tuesday Jun 13, 2017
Cycling, boxing and running studios, as well as some full-service gyms, are using sophisticated lighting systems to heighten the exercise experience.
- In a ‘Summer of Hell,’ Grand Central May Be a Bit of Heaven
By DAVID W. DUNLAP - Wednesday Jul 5, 2017
Amtrak will temporarily restore some intercity service to Grand Central Terminal to relieve pressure on the beleaguered Pennsylvania Station.
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
- The Top 10 Moments of New York Fashion Week
By THE NEW YORK TIMES - Friday Sep 15, 2017
Highlights from the shows, including a celebrity-packed front row at Calvin Klein and a trek to Bedford Hills, N.Y., to see Ralph Lauren’s vintage cars.
- Portrait painting in action at Stanford
By Sam Whiting - Wednesday May 24, 2017
At 11:30 Monday morning, writer Tammy Fortin set up her manual Olivetti in the grand marble atrium at Cantor Arts Center and began tapping out a short story. [...] artist Hope Gangloff set up her acrylic paints and began painting a portrait of Fortin as she typed. The main entrance to the Stanford University museum, built in 1894, has been converted into Gangloff’s studio as the first in a five-year series called the Diekman Contemporary Commissions Program, underwritten by arts benefactors John and Sue Diekman. There is a lot to tell because Gangloff, 42, lives in Brooklyn, N.Y., and drove out in her Subaru with her boxer mutt Olly, and all her paints and brushes and buckets. “She’s a fun challenge,” says Gangloff, as Fortin clacks away in single space, working that carriage return, her salt-and-pepper hair blending nicely with the marble wall behind her. The typewriter sits on a pullout tray at a midcentury metal office desk. Scattered around are a metal lunch box in red tartan, a bottle of Wite-Out, a magnifying glass and any number of dictionaries and art history books open for quick reference, plus a Princess dial phone with the receiver off the hook and dangling to the floor so she won’t be distracted by a caller. There is a lot of detail to capture, and those who can’t wait around to see the finished product can go upstairs where the concurrent show “Hope Gangloff Curates Portraiture” is on the balcony. There is a whole wall of portraits, and visitors can turn around and lean over the railing to see the next one being worked on at the bottom of the stairs. “Hope is an incredibly talented painter who evokes the 19th and 20th century masters and updates the tradition, ” says Carty.