New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
NYS Entity Status
NYS Filing Date
FEBRUARY 03, 2014
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2014 - CLAY RIVERVIEW LLC
AROUND THE WEB
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
- The Top 10 Moments of New York Fashion Week
By THE NEW YORK TIMES - Friday Sep 15, 2017
Highlights from the shows, including a celebrity-packed front row at Calvin Klein and a trek to Bedford Hills, N.Y., to see Ralph Lauren’s vintage cars.
- Trump’s Tough Talk on North Korea Puts Japan’s Leader in Delicate Spot
By JONATHAN SOBLE - Friday Aug 11, 2017
North Korea’s accelerating military advances — and President Trump’s volatile response — could complicate Japan’s close alliance with the United States.
- Brooke Baldwin Suggests Clay Travis Could ‘Learn From Folks Over At Fox News’ After His ‘Boobs’ Rant
By Andrew Husband - Saturday Sep 16, 2017
CNN's Brooke Baldwin suggests Fox Sports host Clay Travis could "learn from folks over at Fox News" following his "boobs" rant.
- The Congressman Who Filmed A Statement Inside An Auschwitz Gas Chamber Has Apologized
By Andrew Roberts - Thursday Jul 6, 2017
Louisiana Republican Clay Higgins apologizes for filming a statement from inside of a gas chamber at the concentration camp.
- Totally rad ‘Clueless’ screening at Clay’s Midnight Madness
By Carlos Valladares - Monday Aug 28, 2017
Miss out on “Clueless” at the Clay Theatre’s Midnight Madness? As if! This 1995 satire from Amy Heckerling (“Fast Times at Ridgemont High”) has aged kookily and gracefully. For 12 years, we’ve learned so much from Alicia Silverstone’s Cher, an ostensibly vapid Daddy’s-little-rich-girl who is mocked, treated with contempt and tenderly loved by her creator, Whit Stillman-style. The movie is based on Jane Austen’s “Emma,” and Heckerling uses the Austenian conceit of a myopic upper-class woman who sheds light on her society’s social officiousness. (Also, as in any good Austen period comedy, the clothes, hair and soundtrack are to die for.