Jacob Riis Park, a Manhattan church, the Bum Bum Bar and more. In 360 degrees, visit five sites that helped shape New York City’s L.G.B.T. community and its history.
NYS Entity Status
NYS Filing Date
NOVEMBER 01, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC BUSINESS CORPORATION
2013 - NIKKO HIBACHI STEAKHOUSE & BAR, INC.
AROUND THE WEB
- Five Sites of New York’s L.G.B.T. History
Monday Jun 19, 2017
- When Bad Drinks Go Good
By ROBERT SIMONSON - Friday Aug 4, 2017
The Long Island iced tea, the Midori sour, the Blue Hawaii: Fussy bartenders are upgrading these decidedly down-market cocktails.
- Restaurant Review: At Don Peppe, Expect a Lot of Everything
By PETE WELLS - Tuesday Jun 20, 2017
The hallowed Italian-American restaurant is near the airport and the racetrack in Queens, but it’s in a world of its own.
- Could the Rockaways Survive Another Sandy?
By LUIS FERRÉ-SADURNÍ - Thursday Jul 13, 2017
Residents are bracing for the worst, wondering whether measures taken so far are enough to keep devastation of the Queens community at bay.
- Restaurant Review: A New Kind of Sichuan Restaurant for New York
By PETE WELLS - Tuesday Aug 1, 2017
In downtown Flushing, Queens, Guan Fu Sichuan shows off the rich variety of flavors beyond the familiar blast of chiles.
- Singer Paula West leaves Nikko audience wanting more
By Andrew Gilbert - Friday Jul 7, 2017
Veteran performers know that one key to a successful show is to leave an audience wanting more.[...] no jazz singer on the scene kindles musical desire with the promiscuous abandon of San Francisco’s Paula West.Originally scheduled for a monthlong run, she opened a condensed two-week stand at Feinstein’s at the Nikko on Thursday with the kind of eclectic program that’s become her calling card.[...] almost every number begged for an entire show dedicated to the songsmith’s work, starting with her briskly swinging take on the gorgeous Harold Arlen/Johnny Mercer standard “Any Place I Hang My Hat Is Home.”Granted, a savvy jazz singer inspiring a yen for more Arlen and Mercer isn’t a high bar, but West was equally effective interpreting Bob Dylan’s “Mr. Tambourine Man,” gracefully navigating the tangled lyrics.Switching gears with the dexterity of an Indy 500 driver, she followed John Lennon’s dismayingly topical plea with a buoyantly swinging “Put on a Happy Face.”The evening’s only misfire was a rollicking rendition of the 1974 Carl Carlton hit “Everlasting Love,” a song beyond even Barth’s alchemy, though West’s belting earned some of the set’s more spirited applause.