This might be the best four-door performance car on sale right now.
NYS Entity Status
NYS Filing Date
OCTOBER 03, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC BUSINESS CORPORATION
2013 - MJ ROMEO CONSULTING INCORPORATED
AROUND THE WEB
- If Ferrari built an M3: The 2017 Alfa Romeo Giulia Quadrifoglio
By Jonathan M. Gitlin - Monday Jun 26, 2017
- NEW! AmEx Platinum Card Gets 'Transported'
Monday Jul 31, 2017
American Express (AmEx) and its agency DigitasLBi are collaborating with the New York Times Company to leverage both its distribution and in-house experiential design agency Fake Love to raiseawareness for the repositioned Platinum Card.
The “Platinum Transported" initiative incorporates 360º virtual reality to provide viewers with an immersive digital adventure. Thefirst episode "Taste" features chef David Chang exploring different combinations of flavors presented in an unexpected ways.
DigitasLBi conceived of the initial creative across alldigital and social platforms while Fake Love helped to develop creative and the technical side.
"During the conceptualization process, we quickly discovered that 360º was the best way topluck the viewer out of their environment and transport them into this unchartered sensory experience," says Aline Ridolfi, creative director, Fake Love. For the Taste film - which "focuses on perhapsthe most intimate of the senses" - the campaign wanted to bring the viewer as close to Chang and his creative process as possible, "only inches, or seconds away from digging in," says Ridolfi. He isseen talking about the uni with chickpea hozon dish at two Michelin starred Ko.
AmEx will next roll out “Sound” and“Sight” featuring influential individuals who have made a significant impact on one of the particular senses in the coming months. The series appears as branded content across the NY Timesas well as AmEx's platforms.
American Express also recently debuted a new, travel-focused creative advertising platform via print, out-of-home and digital ads. Ogilvy served as the lead oncreative for the OOH and print which is designed to inspire global travel experiences. The ads ask, "Where will American Express Platinum take you?"
- Mediaocean To Incorporate comScore Demo Data Into TV Systems
Thursday Jun 22, 2017
Data integration is available starting today for Mediaocean's Spectra OX and DS local TV broadcast systems.
- Facebook Messenger's Newest Features Incorporate Games, Bots, and QR Codes
By David Pierce - Tuesday Apr 18, 2017
New features aim to make Messenger the place you talk to your friends and the place you stay to do everything else.
- MBAs are snubbing Wall Street to work at consulting firms
By Kevin Dugan - Wednesday Aug 9, 2017
It’s official: McKinsey & Co. is sexier than Goldman Sachs. The most sought-after jobs for MBAs are no longer on Wall Street, as more business students than ever before are instead looking to go into consulting, according to a survey released Wednesday. For the first time in eight years, consulting firms like McKinsey, Bain &...
- Symphony season closes with dramatic ‘Romeo and Juliet’
By Joshua Kosman - Thursday Jun 29, 2017
In a performance recorded for a subsequent release on the orchestra’s in-house SFS Media Label, Thomas and his performing forces — not just the Symphony players themselves, but the members of Ragnar Bohlin’s Symphony Chorus and a trio of high-end vocal soloists — helped bring Berlioz’s quirky, innovative vision to life.Taking his inspiration from a variety of artistic sources — Shakespeare for the dramatic content, obviously, and Beethoven’s Ninth Symphony for its fluid melding of instrumental and vocal strains within a symphonic framework — Berlioz created one of the great one-offs of the 19th century repertoire.Among the piece’s anomalies — and this struck a listener with particular force on this occasion — is its ambivalence about using words to set out a dramatic story line.Two of the three vocal soloists help the chorus set the stage with narration and a lyrical effusion from the mezzo-soprano, then make themselves scarce; the baritone, who shows up at the end to embody Friar Laurence, is the only singer to take an actual character role.[...] the familiar events of the drama — the party at which the two lovers meet, their romantic idyll, and the exchange of poisons in the tomb — are mostly laid out by the orchestra, in terms that are simultaneously pictorial and symphonic.Romeo’s moody soliloquy (evocatively captured by Eugene Izotov’s plaintive oboe solo) yielded to the vivid bursts of the party scene, and the expansive love music — surely some of Berlioz’s most lush and exquisite orchestral writing — had a poignancy that only become keener with each extension of the material.The soloists were so fine as to seem like luxury casting, from the radiant verses of mezzo-soprano Sasha Cooke and tenor Nicholas Phan’s pointed description of Queen Mab to the thunderous final declamations of bass-baritone Luca Pisaroni as Laurence.