The White Sox have been rightfully praised for having the audacity to trade their three most valuable chips — Adam Eaton, Chris Sale and Jose Quintana — and for altering the perception of their farm system while doing it. But sandwiched around last December’s deals of Eaton and Sale, the White Sox made a couple...
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AROUND THE WEB
- Two under-the-radar deals prove White Sox’s front-office savvy
By Joel Sherman - Thursday Aug 17, 2017
- Police Criticize Trump for Urging Officers Not to Be ‘Too Nice’ With Suspects
By BRIAN M. ROSENTHAL - Saturday Jul 29, 2017
Law enforcement officials condemned the president’s remarks as inappropriate and potentially dangerous. Police supporters said it was clearly intended as a joke.
- CIA Director Pompeo slams NY Times for outing covert officer
By email@example.com (Fox News Online) - Friday Jul 21, 2017
- Soldier accused of killing New York State Police trooper
Monday Jul 10, 2017
THERESA, N.Y. (AP) — A U.S. Army soldier is accused of shooting and killing a New York State Police trooper who was responding to a domestic dispute."Trooper Davis served as a member of the New York State Police for four years and his death is yet another sad reminder of the risks law enforcement officers face each day in order to protect our communities and serve the residents of this great state," the Democratic governor said while urging New Yorkers to keep Davis' family, friends and colleagues in their thoughts and prayers.
- ‘Twin Peaks’ ‘Part 13’ recap: Here’s to you, Mrs. Palmer
By Carlos Valladares - Monday Aug 7, 2017
Sarah’s post-Laura, post-Leland life has been reduced to watching violent TV all day (cougar fights in “Part 2,” boxing matches in “Part 13”), drinking herself to death on the couch, like Mrs. Robinson. There’s a similar “Graduate” stillness in Lynch’s widescreen shot of Sarah, who sighs, walks around, and sips vodka with a dismalness that was always there in Bancroft’s, Buck Henry’s and Mike Nichols’ subtly drawn character. What made that scene extra-terrifying was a record’s inner groove repeating over and over and over again, giving a disgusting rhythm to a disgusting scene. [...] Sarah is stuck in a similar time loop: a Chantal Akerman-like funk between sofa, vodka, and TV, a vicious cycle where the chief quality is deadness and a lack of variation. Lynch and Frost dwell in the space most TV writers reasonably leave out—those ignored, mundane, lonely pauses where our only audience is our own self. Boxed into a retro living-room by a 40’s radio and an ominous Greek column, the dreariness of Audrey’s new life is a far cry from the teen-princess dreams she had of marrying Agent Cooper in Original Twin Peaks. Like Audrey in “Part 12,” he’s plunked in the middle of a shot, sitting at a Double R booth in a pan right across an unfriendly establishing space à la “Fire Walk With Me.” He’s sitting with high-school-sweetheart and true love Norma Jennings (Peggy Lipton), reminiscing about old “TP” times with Bobby Briggs (Dana Ashbrook), and for a moment, the “Twin Peaks” world seems right again Ten seconds later, a sleazy-looking suit named Walter slinks in, and, like Shelly Johnson’s cruel embrace of a drug dealer in front of Ashbrook and Amanda Seyfried, Norma gets up to kiss him. What’s most impressive about the following Walter-Norma dialogue (where he tries to convince Norma to corporatize her home-grown pies to maximize profits) is how Big Ed remains the focus of the shot, hazy and in the background, looking up every once in a while in the hopes that Norma will get up and come to his and Bobby’s booth. Lightning-fast-recap: two scenes of Quentin Tarantino’s cinema abstracted—a brutal arm-wrestling scene where Mr. C figures out Phillip Jeffries tried to kill him, and a “Pulp Fiction”-ish dialogue between “Hateful 8” co-stars Tim Roth and Jennifer Jason Leigh on Mormon habits; the Mitchums continue their Dougie celebration with a demented ska-conga through his office; they gift a car and a jungle-gym to Janey-E and Sonny-Jim; Dougie once again avoids assassination, this time when Tom Sizemore, the newest student of the Laura Dern School of Ugly Crying, confesses to spiking Dougie’s coffee with untraceable poison; Agent Cooper drinks coffee and pie, but he still hasn’t snapped out of his funk. There isn’t a more appropriate way to end this episode than that depressing Big Ed comedown: sitting at the front desk of the Gas Farm in pitch black, drinking soup and coffee from the Double R to go, patiently waiting for someone (Norma) to come by.
- New York eyes 'textalyzer' to bust drivers using phones
By DAVID KLEPPER, Associated Press - Wednesday Jul 26, 2017
ALBANY, N.Y. (AP) — Police in New York state may soon have a high-tech way of catching texting drivers: a device known as a "textalyzer" that allows an officer to quickly check if a phone has been in use before a crash."Despite laws to ban cellphone use while driving, some motorists still continue to insist on texting behind the wheel — placing themselves and others at substantial risk," Cuomo said in a statement first reported by The Associated Press.Digital privacy and civil liberties groups already have questioned whether the technology's use would violate personal privacy, noting that police can already obtain search warrants if they believe information on a private phone could be useful in a prosecution.Many security experts are skeptical when it comes to promises that the textalyzer would only access information about phone usage, and not personal material, according to Rainey Reitman, of the Electronic Frontier Foundation, a nonprofit organization that advocates for civil liberties when it comes to digital technology.The committee will hear from supporters and opponents of the technology, law enforcement officials and legal experts before issuing a report, Cuomo's office said.