The Tool in the Pool is back. Ryan “Blame it on Rio” Lochte successfully returned from his 10-month suspension by winning the 200-meter medley in record time Sunday at the U.S. Open in Long Island. Of greater importance though is that the gas station bathrooms in and around the East Meadow N.Y. area are still...
NYS Entity Status
NYS Filing Date
APRIL 22, 2013
NYS DOS ID#
NYS Entity Type
DOMESTIC BUSINESS CORPORATION
2013 - GRAND ISLAND FUN CENTER INC.
AROUND THE WEB
- Clueless in East Meadow
By Stitches - Wednesday Aug 9, 2017
- Long Island Football Player Dies After Being Hit by 400-Pound Log
By CHRISTINA CARON - Saturday Aug 12, 2017
A 16-year-old participating in a summer training camp was hoisting a large log overhead with four other boys when the log fell.
- A Deep Dive Into New York's East Side Access Project
Sunday Apr 24, 2016
The East Side Access project will link the Long Island Railroad to New York City's Grand Central Terminal. Projected to be completed in 2022, it required construction of about eight miles' worth of tunneling in Manhattan and Queens. Photo: Denise Blostein/The Wall Street Journal
- For 18 Hours, Cabbie Sat Dead in Front Seat
By KIM BARKER - Monday Aug 14, 2017
A driver parked his taxi to take a break in SoHo. He died behind the wheel. Then, for nearly a day, New Yorkers went about their lives — just feet from his body.
- Food & Wine Magazine Will Leave New York for Alabama
By STEPHANIE STROM - Friday Jun 23, 2017
The move reflects a changing business in which traditional food magazines, and a Manhattan address, are less important.
- Portrait painting in action at Stanford
By Sam Whiting - Wednesday May 24, 2017
At 11:30 Monday morning, writer Tammy Fortin set up her manual Olivetti in the grand marble atrium at Cantor Arts Center and began tapping out a short story. [...] artist Hope Gangloff set up her acrylic paints and began painting a portrait of Fortin as she typed. The main entrance to the Stanford University museum, built in 1894, has been converted into Gangloff’s studio as the first in a five-year series called the Diekman Contemporary Commissions Program, underwritten by arts benefactors John and Sue Diekman. There is a lot to tell because Gangloff, 42, lives in Brooklyn, N.Y., and drove out in her Subaru with her boxer mutt Olly, and all her paints and brushes and buckets. “She’s a fun challenge,” says Gangloff, as Fortin clacks away in single space, working that carriage return, her salt-and-pepper hair blending nicely with the marble wall behind her. The typewriter sits on a pullout tray at a midcentury metal office desk. Scattered around are a metal lunch box in red tartan, a bottle of Wite-Out, a magnifying glass and any number of dictionaries and art history books open for quick reference, plus a Princess dial phone with the receiver off the hook and dangling to the floor so she won’t be distracted by a caller. There is a lot of detail to capture, and those who can’t wait around to see the finished product can go upstairs where the concurrent show “Hope Gangloff Curates Portraiture” is on the balcony. There is a whole wall of portraits, and visitors can turn around and lean over the railing to see the next one being worked on at the bottom of the stairs. “Hope is an incredibly talented painter who evokes the 19th and 20th century masters and updates the tradition, ” says Carty.