New York is becoming a cultural center for young women trying to disrupt the male-dominated industries of design engineering and sex toys.
NYS Entity Status
NYS Filing Date
JULY 14, 2014
NYS DOS ID#
NYS Entity Type
DOMESTIC LIMITED LIABILITY COMPANY
2014 - CORNELL LAND DEVELOPMENT, LLC
AROUND THE WEB
- Women of Sex Tech, Unite
By ANNA NORTH - Friday Aug 18, 2017
- On the Hudson, Two Developers Open NYC’s Latest Bio Startup Space
By Ben Fidler - Thursday Aug 17, 2017
Two real estate developers, Taconic Investment Partners and Silverstein Properties, have unveiled plans to bring about 150,000 square feet of new wet lab space online on the West Side of Manhattan, the latest effort in an ongoing quest in New York City to provide startup biotech companies a local home to form and grow. Taconic […]
- WGN America Lands Crime Dramas ‘100 Code,’ ‘Pure’ and ‘Shoot the Messenger’
By Tim Molloy, provided by
- Tuesday Aug 8, 2017
The network has secured the U.S. rights for three crime-focused shows — “100 Code,” “Shoot the Messenger,” and “Pure” — which will join the previously announced Anna Paquin-fronted “Bellevue” to add to the network’s stash of “primecrime” programming.When a high school hockey star wrestling with his gender identity goes missing and all signs point to foul play, Detective Annie Ryder (Anna Paquin) must unravel all the pieces to this gripping mystery before her own life falls apart.A gritty political-crime thriller centering on the complex relationships between crime reporters and the police, “Shoot the Messenger” follows Daisy Channing (Elyse Levesque), a young reporter trying to balance a messy personal life with a burgeoning career. Things begin to go sideways for Daisy when she witnesses a murder she thinks is gang related, only to find herself slowly drawn into an interconnected web of criminal and illicit sexual activity that reaches into the corridors of corporate and political power.With help from her editor Mary Foster (Alex Kingston), co-worker Simon Olenski (Lucas Bryant), and lead homicide detective Kevin Lutz (Lyriq Bent), Daisy uncovers a cover-up so scandalous it could bring down the government.“Shoot the Messenger” is produced by Jennifer Holness and Victoria Woods for Hungry Eyes Film & Television Inc. in association with CBC Television and ITV Studios Global Entertainment.Inspired by true events, “Pure” is the journey of Noah Funk-newly elected Mennonite pastor-who is determined to rid his community of the scourge of drugs and its nefarious ties to a transborder smuggling alliance with ruthless Mexican cocaine cartels. NY, “Justified” as Detective Bronco Novak; and Oscar and Golden Globe Nominee Rosie Perez (“Search Party,” White Men Can’t Jump) as DEA Agent Phoebe O’Reilly.Developed by Academy Award winner Bobby Moresco (Crash, Million Dollar Baby), “100 Code” stars Dominic Monaghan (“Lost,” Lord of the Rings Trilogy) as New York Detective Tommy Conley and the late Michael Nyqvist (John Wick, The Girl with the Dragon Tattoo) as the by-the-book Swedish detective Mikael Eklund.
- Down the Breitbart Hole
By WIL S. HYLTON - Wednesday Aug 16, 2017
Steve Bannon once said it was the platform for the alt-right. Its current editors disagree. Is the incendiary media company at the nerve center of Donald Trump’s America simply provocative — or dangerous?
- Disney Slapped With Lawsuit Over ‘Guardians of the Galaxy,’ ‘Avengers: Age of Ultron’ Effects
By Tim Kenneally, provided by
- Monday Jul 17, 2017
Visual effects firm says that Disney contracted with people who stole the technologyThe company was slapped with a lawsuit on Monday by a visual effects company, which claims that its technology was misappropriated for “Beauty and the Beast,” “Guardians of the Galaxy” and Avengers:“[I]n all of the film industry and media accolades about the record-breaking success of ‘Beauty and the Beast,’ and the acclaimed cutting-edge digital MOVA Contour technology that made the film’s success possible, nowhere is it mentioned that the patented and copyright-protected MOVA Contour technology was stolen from its inventor and developer, Rearden LLC, and its owner Rearden Mova LLC,” the suit reads.Nowhere is it mentioned that although Disney had previously contracted with Rearden LLC and its controlled entities on four previous major motion pictures to use MOVA Contour and knew of a Rearden Demand Letter to one of the thieves demanding immediate return of the stolen MOVA Contour system, Disney nonetheless contracted with the thieves to use the stolen MOVA Contour system.