The move reflects a changing business in which traditional food magazines, and a Manhattan address, are less important.
NYS Entity Status
NYS Filing Date
JUNE 23, 2014
NYS DOS ID#
NYS Entity Type
DOMESTIC NOT-FOR-PROFIT CORPORATION
2014 - AMERICAN ALAWITE CULTURAL CENTER, INC.
AROUND THE WEB
- Food & Wine Magazine Will Leave New York for Alabama
By STEPHANIE STROM - Friday Jun 23, 2017
- Lincoln Center Cultural Innovation Fund Awards Innovation Fund Grants
By firstname.lastname@example.org (Matt Sinclair) - Saturday Jun 24, 2017
The pilot grant program is designed to catalyze access to and participation in cultural opportunities in central Brooklyn and the South Bronx....
- The Culture Police
Saturday Jun 17, 2017
Welcome to the new 1984 circa 2017. History is being rewritten. Words are being redefined. And the culture police are watching.
- Restaurant Review: At Don Peppe, Expect a Lot of Everything
By PETE WELLS - Tuesday Jun 20, 2017
The hallowed Italian-American restaurant is near the airport and the racetrack in Queens, but it’s in a world of its own.
- Rep. Meeks: 'Bad Culture' at Wells Fargo
Thursday Sep 29, 2016
Rep. Gregory Meeks (D., N.Y.) questions Wells Fargo CEO John Stumpf on the "bad culture" at Wells Fargo. Photo: AP
- Welcome to the softer side of gutted Sears stores
By John Biggs - Monday Jun 12, 2017
If there is any indication of the cultural import and effect of the “millennials” – a term I dislike for reasons I will explain later – look no further than America’s malls. The Baby Boomer hubris and NIMBYism that sent malls into further and further orbits from city centers has come home to roost and it promises to change the face of retail in a big way. First,… Read More
- Stonewall Inn Project to Preserve Stories Behind a Gay Rights Monument
By SARAH MASLIN NIR - Saturday Jun 17, 2017
A $1 million grant will go toward conserving the oral histories of those who lived through the 1969 riots.
- Specters of the Stage Enchant in ‘Ghost Light’
By BEN BRANTLEY - Monday Jun 19, 2017
Third Rail Projects turns the Claire Tow Theater at Lincoln Center into a haunted house of theatrical ego.